Tell us what kind of night it is.
A wedding, a fortieth, a leaving do. We build the run of show around it — the moments, and what is worth catching at each one. Rewrite any of it.
Your guests already have the cameras. What they don’t have is someone telling them where to point them.
A wedding, a fortieth, a leaving do. We build the run of show around it — the moments, and what is worth catching at each one. Rewrite any of it.
A guest scans the code and is asked one thing, at the moment it matters. Everyone, a few people each time, or only the ones you pick — your call.
Not three thousand files and a date. Moment by moment, who was asked, who delivered, and every photograph of you that anyone took.
Because every picture came from a question, the album can say what happened rather than just show it. Three people were asked to shoot the toast from three places, and all three did — so the three frames become one thing nobody had to think about.
Someone’s uncle recorded a minute and forty-eight seconds. The busiest ten minutes of the night were at 23:40. None of that is guessed — it is read back off what was asked.
Every line of it comes out of what was asked and what came back, so it names people instead of counting them. Nothing is written by a model, and nothing is invented — if the after-party never happened, it says nothing about the after-party.
Everyone who was there gets the link. Everyone finds the photographs of themselves without scrolling through three thousand.
One payment for the event, not a subscription. Build the whole night and walk through it as a guest before you decide anything — you only pay when you open the door. The album is included; only the film is extra.